A cornfield full of wildflowers. Sadly we don’t see these anymore, wheat or barley intermingled with poppies, cornflowers and buttercups.
The next part of the story was actually the first that I painted, even though it is in the middle of the tale. Whilst our mouse is trying to find his way home he is spotted by a Barn Owl and has to run for his life.
As usual the image is drawn out in watercolour pencil on the Bockingford paper.
I was worried about painting the wings, I had not tried before, so I worked on them first, if it didn’t work out it was then easier to start again, luckily it went ok. Most of the wings are white so what I actually had to paint were the shadows of where they overlapped and then just a few of the patterns that cross the feathers. Lastly the hint of the coloured feathers on the back that cover the wings when they are folded. I used salt on the wet paint to give the mottled effect and added some of the little black dots that cover the feathers.
Next, the shadows on the body and tail to give the owl a more three dimensional appearance and the top of the head again with salt for the mottled effect. The eyes are dark and concentrate on the mouse and the claws are exaggerated to increase the awareness of the danger that our mouse is in.
For the mouse I tweaked the perspective to emphasise the speed and the panic as he tries to escape and made the rabbit small as he disappears into the background making his getaway.
And then the dandelions, I think I could paint them in my sleep now I have done so many but these were the first.
Lastly the dots of light in the owls eyes, it makes all the difference.
So what happens next? Does he escape? Yes, of course he does, see how very soon.
It has been a long while since my last blog ( https://wp.me/p7Ohdq-mr ) but sometimes life happens. So to continue my mouse story, this is where the mouse sets about trying to get home, he tries to talk to anyone he sees. As usual I transferred the design onto the watercolour paper using watercolour pencils. The mouse is stood in the field looking up at some birds on a wire, you may remember the starlings from a while back, well they are the upper half of this scene.
The mouse was painted first again using a mix of French Ultramarine with a little Alizarin Crimson and Yellow Ochre, doubling the layers for the darker areas. Then I gave the dandelion flowers a light yellow wash so that I didn’t lose them amongst the greenery and used a white wax crayon do draw little stars on the seed heads.
Next using a very watered down mix of the mouse colour I painted over the seed heads and dropped a touch of the stronger mix in the middle. The wax resist remains white and just hints at the little umbrellas attached to the seeds and the darker area in the middle is the old flower head. I mixed a basic paint for the leaves of French Ultramarine and Lemon Yellow and used this for the start of all the other greens adding either more Ultramarine or Lemon Yellow or Gamboge Hue, or Coeruleum blue and sometimes Alizarin.
It is a long process building up all the layers of green but it is just a matter of filling them in and adding shadows. I used the white wax crayon again on the flowers, little dots and lines to represent the petals and then painted over with the Gamboge Hue. The soil is little squiggles of various colours mixed with Alizarin or Yellow Ochre and tiny dots and splodges of greens for the smaller weeds and mosses, with added tiny pebbles.
The page in the book will have the starlings, https://wp.me/p7Ohdq-gk ,at the top so I have made a mock up of what I hope it will look like.
The next part of the story is where the mouse is released into the wild fields of Cornwall. Although we need to catch any mice we find in the house it is not something we enjoy but setting them free and watching them bound away is a wonderful experience. Just sometimes they don’t rush off, they sit and assess the situation or even have a quick wash so we stand very still until they eventually go. This is what developed into the story, as a family we would discuss what we thought the mice, we had released, would get up to and what adventures they would have.
Thankfully this is the last illustration that includes the mousetrap, I am glad I will not have to draw that again. So having worked out the basics I transferred them onto the watercolour paper.
I roughly sketched in the details that I wanted to add, especially the dandelions that feature a lot throughout the story, the field beyond the gate and the ivy on the gate post, all with watercolour pencils so that they would mostly wash away when the paint was added.
Then I finally got to start painting. Sky first using a very faint wash of Cobalt Blue with a touch of Alizarin Crimson. Then by adding just a little Gamboge Hue to make the green wash, I painted the field, leaving a few areas at the front to paint in the flowers later. While the green was still wet, with a tiny brush I dropped in touches of the Gamboge Hue to look like dandelions in the distance. The grey metal gate was painted using a stronger version of the sky mix but with extra red and yellow and further layers for the shadows. The trap was painted using very thin layers of Cadmium Red, Yellow Ochre and Ultramarine, building up the layers depending on how much light was getting through and then the mouse using Ultramarine, Alizarin Crimson and Yellow Ochre. While that was drying I tidied up the sketches of the ivy and the dandelions and then painted some of the spaces left for flowers in the field leaving some white for the seed heads.
The ivy leaves were next, they were painted using a stronger version of the field colour leaving some white spaces for the veins. When the leaves were dry the gatepost was painted by filling the spaces with a little water and dropping in various colours which spread and merged to look a little like stone with lichen growing on it. The dandelions were painted using Ultramarine and Gamboge Hue adding a little more of the blue for the darker leaves. The flower heads are a weak layer of Gamboge Hue followed by a stronger second layer to define the petals and the seed heads were painted with water and then just a little of the mouse colour dropped in just below the centre so that it spread to fade into the white. The shoe is Prussian Blue and the foot is painted with very thin Alizarin Crimson and Yellow Ochre.
Next I added a shadow to the gate post and to the ivy leaves. Then I started filling in the colours of the gravel and stones on the path using various mixes of the colours already used in the rest of the illustration. I put in a few low growing plants and grasses and finished painting the dandelions. Finally I added some white highlights to the mouse trap.
Next time a mouse sized hole to hide in.