Perranporth, some of my earliest memories are of Perranporth and holidays with my Grandparents. The beach goes on forever.
A Hundred Days of Art, day 10.
This is an old watercolour of my daughter sat in a field of buttercups. She moved to her own place yesterday so this one seemed apt.
A Hundred Days of Art, day 8
A copper Dragon, I do like painting dragons, this one is in watercolour and ink.
Edge of the World
Up from his hole climbs our mouse ( https://wp.me/p7Ohdq-nw ), and this where he finds himself, on the edge of the world. The coast here is very rugged, being exposed to the full force of the Atlantic ocean, the waves take their tole on the cliffs. The geology here is sandstone and shale laid down in layers in an ancient lake and then pushed up millennia ago when land masses collided, so the sea wears away at the cliffs leaving strange formations exposed.
For this illustration I wanted to show not only the layers in the rocks but also the layers of life and activity so I have sea level, cliff top where our mouse adventure is happening and the sky above were the swallows swoop around above it all. To start, as usual, I have sketched out in watercolour pencil on Bockingford watercolour paper.
For the surf I have used a wax candle as a resist, It is not a particularly precise way of doing it but it gives a much softer edge than using masking fluid and on the watercolour paper produces beautiful textural effects.
I find getting the colour of the sea very difficult and it changes every time but eventually I settled for Coeruleum blue with a touch if Alizarin crimson to bring down the greenish hue and a lot of water so that I can build up the colour in layers giving the sea varied depth and softer edges.
Building up layers of paint and leaving it to dry in between, then adding more wax resist where needed and making the inside of the waves slightly darker.
The rocks and cliff were painted with various shades of grey, brown and green made using Ultramarine, Alizarin crimson and both Lemon yellow and Gamboge hue.
I filled the grassy North facing cliff with a green made from Ultramarine and Lemon yellow, dropping darker tones in before it dried for the shadows amongst the tufts. When it was dry I put in a few marks with the wax and then repeated the layer of paint. I added the flower heads in Gamboge hue and when they were dry I used the wax on top so that further layers would not dim the yellow.
I repeated the process for the foreground but using Gamboge hue in the green mix instead of the Lemon yellow, again allowing it to dry, adding marks and repainting.
Next I added more detail to the rocks, our mouse and another mouse with slightly browner fur.
And finally the swallows and a little more sea foam with white paint.
Will our mouse be any closer to getting home and what is that other mouse doing?
When we last saw our mouse he was being chased by an owl, ( https://wp.me/p7Ohdq-ni ) this is how he escaped.
Again these were painted right at the start and unfortunately I didn’t take any photographs of the process so I thought this time I would talk a little about the setting of the story and give you a glimpse of the finished page.
I have said before about how the idea for the story came about, after we caught mice in humane traps in our home and released them into the fields surrounding us. We live on the North Cornwall coast in an old farm house, we are surrounded by fields and are close to the sea so I am surrounded by everything I need to paint for the story. The fields are filled with sheep and cows, or planted with wheat or maize, or sometimes left empty to give them chance to recover. We can watch the plough in the Spring, the maize harvest in the Summer and the combine cutting the wheat in the early Autumn.
The hedgerows fill with wildflowers, celandine and primroses, bluebells and foxgloves, red-campion, stitch-wort, speedwell, hearts-ease and many many more. We are visited by over forty different species of birds, including a red legged partridge and the pheasant that knocks on the door to be fed. The year is marked by the first song of the skylark, the arrival of the swifts and swallows and when they depart, the return of the starlings. There are deer, foxes, badgers, weasels, bats, voles, shrews and of course various mice. The list of insects is endless. For the sake of the story some things overlap that usually would not and indeed some of the creatures have greater abilities than usual, for example mice are not known for their good eyesight.
Then there is the sea and our rocky coastline with it’s own collection of wildlife and scenery. Being close to the sea effects the weather, we don’t get as cold as other parts of the country but the wind from the Atlantic can cause terrible damage.
There are drawbacks to living here, the extreme weather is one of them. Isolation is another, getting anywhere takes a long time and of course not all the usual modern day services reach this far but we think it is a price worth paying.
So now you know where our story is set lets continue. We left our mouse running for his life trying to escape from the owl, luckily for him he falls down a hole. I decided that rather than painting a hole in the ground I would paint the inside of the hole in cross-section so we get to see what the mouse would see. There are animal burrows in the ground and over time things fall down them. As these fields have been farmed for hundreds of years I imagined that all sorts of things would have fallen in and I tried to add a few of them along with the stones and roots and insects. Having fallen in the hole our mouse needed to climb out, so I painted that as well. Also included is a little hint of what might happen next.
This is how the whole page should look when the book is finished, as I played with how the hole is seen I thought the writing should be different too.
‘Please, I want to go home’ said mouse.
It has been a long while since my last blog ( https://wp.me/p7Ohdq-mr ) but sometimes life happens. So to continue my mouse story, this is where the mouse sets about trying to get home, he tries to talk to anyone he sees. As usual I transferred the design onto the watercolour paper using watercolour pencils. The mouse is stood in the field looking up at some birds on a wire, you may remember the starlings from a while back, well they are the upper half of this scene.
The mouse was painted first again using a mix of French Ultramarine with a little Alizarin Crimson and Yellow Ochre, doubling the layers for the darker areas. Then I gave the dandelion flowers a light yellow wash so that I didn’t lose them amongst the greenery and used a white wax crayon do draw little stars on the seed heads.
Next using a very watered down mix of the mouse colour I painted over the seed heads and dropped a touch of the stronger mix in the middle. The wax resist remains white and just hints at the little umbrellas attached to the seeds and the darker area in the middle is the old flower head. I mixed a basic paint for the leaves of French Ultramarine and Lemon Yellow and used this for the start of all the other greens adding either more Ultramarine or Lemon Yellow or Gamboge Hue, or Coeruleum blue and sometimes Alizarin.
It is a long process building up all the layers of green but it is just a matter of filling them in and adding shadows. I used the white wax crayon again on the flowers, little dots and lines to represent the petals and then painted over with the Gamboge Hue. The soil is little squiggles of various colours mixed with Alizarin or Yellow Ochre and tiny dots and splodges of greens for the smaller weeds and mosses, with added tiny pebbles.
The page in the book will have the starlings, https://wp.me/p7Ohdq-gk ,at the top so I have made a mock up of what I hope it will look like.
Mouse at the Gate.
The next part of the story is where the mouse is released into the wild fields of Cornwall. Although we need to catch any mice we find in the house it is not something we enjoy but setting them free and watching them bound away is a wonderful experience. Just sometimes they don’t rush off, they sit and assess the situation or even have a quick wash so we stand very still until they eventually go. This is what developed into the story, as a family we would discuss what we thought the mice, we had released, would get up to and what adventures they would have.
Thankfully this is the last illustration that includes the mousetrap, I am glad I will not have to draw that again. So having worked out the basics I transferred them onto the watercolour paper.
I roughly sketched in the details that I wanted to add, especially the dandelions that feature a lot throughout the story, the field beyond the gate and the ivy on the gate post, all with watercolour pencils so that they would mostly wash away when the paint was added.
Then I finally got to start painting. Sky first using a very faint wash of Cobalt Blue with a touch of Alizarin Crimson. Then by adding just a little Gamboge Hue to make the green wash, I painted the field, leaving a few areas at the front to paint in the flowers later. While the green was still wet, with a tiny brush I dropped in touches of the Gamboge Hue to look like dandelions in the distance. The grey metal gate was painted using a stronger version of the sky mix but with extra red and yellow and further layers for the shadows. The trap was painted using very thin layers of Cadmium Red, Yellow Ochre and Ultramarine, building up the layers depending on how much light was getting through and then the mouse using Ultramarine, Alizarin Crimson and Yellow Ochre. While that was drying I tidied up the sketches of the ivy and the dandelions and then painted some of the spaces left for flowers in the field leaving some white for the seed heads.
The ivy leaves were next, they were painted using a stronger version of the field colour leaving some white spaces for the veins. When the leaves were dry the gatepost was painted by filling the spaces with a little water and dropping in various colours which spread and merged to look a little like stone with lichen growing on it. The dandelions were painted using Ultramarine and Gamboge Hue adding a little more of the blue for the darker leaves. The flower heads are a weak layer of Gamboge Hue followed by a stronger second layer to define the petals and the seed heads were painted with water and then just a little of the mouse colour dropped in just below the centre so that it spread to fade into the white. The shoe is Prussian Blue and the foot is painted with very thin Alizarin Crimson and Yellow Ochre.
Next I added a shadow to the gate post and to the ivy leaves. Then I started filling in the colours of the gravel and stones on the path using various mixes of the colours already used in the rest of the illustration. I put in a few low growing plants and grasses and finished painting the dandelions. Finally I added some white highlights to the mouse trap.
Next time a mouse sized hole to hide in.