‘Please, I want to go home’ said mouse.

It has been a long while since my last blog but sometimes life happens. So to continue my mouse story, this is where the mouse sets about trying to get home, he tries to talk to anyone he sees. As usual I transferred the design onto the watercolour paper using watercolour pencils. The mouse is stood in the field looking up at some birds on a wire, you may remember the starlings from a while back, well they are the upper half of this scene.

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The mouse was painted first again using a mix of French Ultramarine with a little Alizarin Crimson and Yellow Ochre, doubling the layers for the darker areas. Then I gave the dandelion flowers a light yellow wash so that I didn’t lose them amongst the greenery and used a white wax crayon do draw little stars on the seed heads.

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Next using a very watered down mix of the mouse colour I painted over the seed heads and dropped a touch of the stronger mix in the middle. The wax resist remains white and just hints at the little umbrellas attached to the seeds and the darker area in the middle is the old flower head. I mixed a basic paint for the leaves of French Ultramarine and Lemon Yellow and used this for the start of all the other greens adding either more Ultramarine or Lemon Yellow or Gamboge Hue, or Coeruleum blue and sometimes Alizarin. 

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It is a long process building up all the layers of green but it is just a matter of filling them in and adding shadows. I used the white wax crayon again on the flowers, little dots and lines to represent the petals and then painted over with the Gamboge Hue.  The soil is little squiggles of various colours mixed with Alizarin or Yellow Ochre and tiny dots and splodges of greens for the smaller weeds and mosses, with added tiny pebbles. 

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The page in the book will have the starlings at the top so I have made a mock up of what I hope it will look like.

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Merry Christmas

Last Winter was the hardest we have had in all the 16 years that we have lived in Cornwall. There were drifts across the roads and the roads themselves were just sheets of glass. Every path and surface was coated in freezing rain and the wind cut like a blade but the Robin still sat on the ice covered crab-apple tree and sang.  So here is a watercolour tribute to that hardy little bird.

snrob1sm This is the view from an up-stairs window of my home. I have left a few things out, like telephone lines and a farm building to help with the flow of the picture. As usual I sketched out the design using a watercolour pencil, this time it was lavender in colour.

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Because of the snow most of the paper is left white and the paint, for the most part, is various strengths of the same mix, French Ultramarine, Prussian Blue and Alizarin Crimson. I painted the distant fields with an extremely thin wash of the mix and when that was dry started to paint the hedges in the middle of the picture adding salt to the wet paint to create the mottled snow covered effect. Starting in the middle gives me a base to work from so that I can create the feeling of distance by painting the back with a  weaker mix and the front with a stronger one.

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Then I painted in the distant fields and added in some stronger tones  for shadows, all the time adding salt to the wet paint.

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When painting the foreground I added a little yellow ochre to the paint mix and dropped in more of the stronger colour for shadows.

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When that was dry I drew in the top of the crab-apple tree.

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Then painted the tree with a much stronger version of the same mix

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Finally I added the Robin and some snow flakes.

The snow causes no end of problems, mainly because we have it so rarely and are therefore unprepared but I love it and I hope we have the same again this year.

Merry Christmas

Mouse in the Country

Continuing with my mouse story this is where he finds himself after being brave enough to leave the safety of the hole in the wall, in a huge expanse of open countryside. Normally mice don’t have very good eye sight but for the sake of the story this mouse has amazing human like optical abilities.

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As usual to begin I sketched out the basics with watercolour pencil. With the moors in the distance and just a hint of the sea on the left hand side.

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Then working from the top down I painted the sky with Coeruleum blue and a touch of Alizarin Crimson, painting right down into the valley. I also used the blue to paint the sea, just hinting at the waves.  When the sky was dry,  I added a little more Alizarin and water to the mix and painted the moors in the distance, painting over the blue down into the valley. The closer hills were painted using a mix of the Coeruleum blue, Ultramarine and Gamboge yellow and a lot of water.

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The other fields were painted using the same mix but also with touches of other colours added  into the wet paint to make each field slightly different. In the two ploughed fields I added Ultramarine and Yellow Ochre just as the paint was drying and applied it in straight lines to suggest the lines of the plough. The field boundaries where left to paint later to stop the different colours from bleeding into each other. The group of trees were painted using Ultramarine and Prussian Blue with a little Lemon Yellow and I used a little of each of the colours to paint the cliffs and rocks by the sea.

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Using the same mixture that I used for the trees I made little marks on the moor to look like fields and trees in the distance. Then strengthening the mix I marked in the closer field boundaries, gradually adding Gamboge yellow the nearer I got to the front. I put a faint wash of yellow on the dandelion flowers so that I didn’t lose them amongst the green. The mouse is painted in the usual mix of Ultramarine, Alizarin and Yellow Ochre dabbing off a little underneath and at the front where the mouse is lighter. The tin building was painted with the sky colour and I used the mouse colour for the shadows. 

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For the green plants at the front I used various shades of Ultramarine mixed with Gamboge yellow with occasional drops of Prussian Blue and Lemon Yellow. To make the group of trees more three dimensional I added water sparingly to the whole group and then dropped in a darker shade of the tree colour. The Dandelion flowers were painted with Gamboge Yellow and then when dry some of the paint was lifted off with a damp brush to form the petals. Colour was added to the mouse’s eye, feet and tail. A hint of buildings in the distance, another layer of the blue to the sea, the centre’s to the Dandelion clocks, a neutral tint to the road and it was done.

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Next, Meeting the Locals

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