Golitha Falls on the edge of Bodmin Moor in Cornwall, where the young river Fowey runs through the woods.
Back to landscape today, one of my favourite places, Boscastle. This is a watercolour paint and watercolour pencil depiction of Boscastle Harbour just after sunset.
A wild watercolour of Bude’s Barrel Rock, taking a pounding as it so often does.
Today it is a watercolour of a rock pool on a beach in Bude, Cornwall.
This is Port Loe a little fishing village on the South coast of Cornwall
Up from his hole climbs our mouse ( https://wp.me/p7Ohdq-nw ), and this where he finds himself, on the edge of the world. The coast here is very rugged, being exposed to the full force of the Atlantic ocean, the waves take their tole on the cliffs. The geology here is sandstone and shale laid down in layers in an ancient lake and then pushed up millennia ago when land masses collided, so the sea wears away at the cliffs leaving strange formations exposed.
For this illustration I wanted to show not only the layers in the rocks but also the layers of life and activity so I have sea level, cliff top where our mouse adventure is happening and the sky above were the swallows swoop around above it all. To start, as usual, I have sketched out in watercolour pencil on Bockingford watercolour paper.
For the surf I have used a wax candle as a resist, It is not a particularly precise way of doing it but it gives a much softer edge than using masking fluid and on the watercolour paper produces beautiful textural effects.
I find getting the colour of the sea very difficult and it changes every time but eventually I settled for Coeruleum blue with a touch if Alizarin crimson to bring down the greenish hue and a lot of water so that I can build up the colour in layers giving the sea varied depth and softer edges.
Building up layers of paint and leaving it to dry in between, then adding more wax resist where needed and making the inside of the waves slightly darker.
The rocks and cliff were painted with various shades of grey, brown and green made using Ultramarine, Alizarin crimson and both Lemon yellow and Gamboge hue.
I filled the grassy North facing cliff with a green made from Ultramarine and Lemon yellow, dropping darker tones in before it dried for the shadows amongst the tufts. When it was dry I put in a few marks with the wax and then repeated the layer of paint. I added the flower heads in Gamboge hue and when they were dry I used the wax on top so that further layers would not dim the yellow.
I repeated the process for the foreground but using Gamboge hue in the green mix instead of the Lemon yellow, again allowing it to dry, adding marks and repainting.
Next I added more detail to the rocks, our mouse and another mouse with slightly browner fur.
And finally the swallows and a little more sea foam with white paint.
Will our mouse be any closer to getting home and what is that other mouse doing?
When we last saw our mouse he was being chased by an owl, ( https://wp.me/p7Ohdq-ni ) this is how he escaped.
Again these were painted right at the start and unfortunately I didn’t take any photographs of the process so I thought this time I would talk a little about the setting of the story and give you a glimpse of the finished page.
I have said before about how the idea for the story came about, after we caught mice in humane traps in our home and released them into the fields surrounding us. We live on the North Cornwall coast in an old farm house, we are surrounded by fields and are close to the sea so I am surrounded by everything I need to paint for the story. The fields are filled with sheep and cows, or planted with wheat or maize, or sometimes left empty to give them chance to recover. We can watch the plough in the Spring, the maize harvest in the Summer and the combine cutting the wheat in the early Autumn.
The hedgerows fill with wildflowers, celandine and primroses, bluebells and foxgloves, red-campion, stitch-wort, speedwell, hearts-ease and many many more. We are visited by over forty different species of birds, including a red legged partridge and the pheasant that knocks on the door to be fed. The year is marked by the first song of the skylark, the arrival of the swifts and swallows and when they depart, the return of the starlings. There are deer, foxes, badgers, weasels, bats, voles, shrews and of course various mice. The list of insects is endless. For the sake of the story some things overlap that usually would not and indeed some of the creatures have greater abilities than usual, for example mice are not known for their good eyesight.
Then there is the sea and our rocky coastline with it’s own collection of wildlife and scenery. Being close to the sea effects the weather, we don’t get as cold as other parts of the country but the wind from the Atlantic can cause terrible damage.
There are drawbacks to living here, the extreme weather is one of them. Isolation is another, getting anywhere takes a long time and of course not all the usual modern day services reach this far but we think it is a price worth paying.
So now you know where our story is set lets continue. We left our mouse running for his life trying to escape from the owl, luckily for him he falls down a hole. I decided that rather than painting a hole in the ground I would paint the inside of the hole in cross-section so we get to see what the mouse would see. There are animal burrows in the ground and over time things fall down them. As these fields have been farmed for hundreds of years I imagined that all sorts of things would have fallen in and I tried to add a few of them along with the stones and roots and insects. Having fallen in the hole our mouse needed to climb out, so I painted that as well. Also included is a little hint of what might happen next.
This is how the whole page should look when the book is finished, as I played with how the hole is seen I thought the writing should be different too.
We have lived just outside Bude for sixteen years now and have never regretted moving here, even when the wind is blowing so hard that you can feel the floorboards shake. The weather can change very quickly from fog to sun and back to fog again and sometimes the fog hangs around for days but when that sun shines in the huge blue sky and the skylark is wittering somewhere over the fields, it is the best place on earth. Most of what I have written about in my blogs has been based on my garden or the moors and lanes of Cornwall so I thought it was time to look to the sea.
The beaches in Bude, Summerleaze and Crooklets, are huge, when the tide goes out the sea is just a thin line separating the sky from the sand. Looking out west across the sea the next piece of land is Newfoundland 2,200 miles away, so our beaches feel the full force of the Atlantic. This helps to keep Cornwall warm, often wet and definitely windy but it also means that we have wonderful waves, therefore surfing is very popular here. Walking along the tide line and looking back at the cliffs in the distance is quite an unusual experience, the roar of the waves being the only sound the rest of the world disappears.
Nearer the shore there are wonderful rock formations and rock pools covered in limpets and barnacles and teeming with life. There are the dunes and the sea pool, the river and the lock gates to the canal. The canal still runs inland for a couple of miles and otters have been seen by walkers on the towpath, we have also seen kingfishers, herons and little egrets in the marsh area where the river runs beside the canal. At the back of Summerleaze beach is the castle with the museum and galleries and of course there is town it’s self.
Moving away from Bude just a few miles to the north are Northcott Mouth , Sandymouth and Duckpool, three more tiny settlements with beautiful beaches. To the south is Widemouth with it’s long sweeping beach, Millook with it’s crazy rock formations, and Crackington Haven.
Then further south still is beautiful Boscastle and then legendary Tintagel.
At home we look out over the sea and on a clear day can see down to Trevose Head and at night can see the lighthouse flashing there. Although the coast is still a mile away we hear the roaring of the waves and can watch the storms blow in from the southwest. There are some drawbacks to living here, we are a very long way from everything, it takes over an hour and a half to reach the nearest motorway and 45 minutes to the nearest train but I think that my biggest problem is that I am going to need several lifetimes to paint everything.
It is strange where inspiration comes from, the above photo of a rock pool on Summerleaze beach in Bude in Cornwall set me off on a series of paintings about rocks (but that is a whole other story). Rocks are usually the background, the boring bit, if they are in a painting at all but when they are the focus of the work they appear very abstract. The colours are never what you think they are going to be, they’re not all brown and grey, the range of textures is enormous and more you look the more interesting they become.
In this blog I thought I would briefly explain how I went about painting this rock pool. I will appologise now for the quality of some of the photos, they are taken as I work so are not always the best and of course I can’t go back and redo them.
My initial drawings are done with watercolour pencil, usually a light brown or purple, so that when the paint is applied the lines will soften or even disappear. The paper is Bockingford 140lb NOT watercolour paper.
To begin I like to fill in a few blocks with light watercolour washes, with a subject like this it helps to navigate, it is easy to get lost among the lines. The foreground I leave until later so that I don’t damage it while painting the rest.
Keeping the paint quite weak I loosely fill in the rest of the space and rub a few dry areas with wax so that later paint layers will reveal some texture.
The next stage is to add the shadows using cooler colours and darker tints of the rock colours to suggest little indents. I try to work as wet as possible to avoid any hard lines, a spray bottle of clean water is useful for this but if any hard lines do develop they can be worked on once they have dried using clean water on a brush.
When the background is dry I repeat the process for the front
To finish up I strengthen any shadows that need it, add touches of white reflections and add a little warmer colour to the foreground. I tidied up the top by using the dark shadow colour, it helped to balance the picture and prevented me from adding unnecessary detail.